Believe it or not, this is just the top 2-4 inches of drift fencing that is 3-ish feet high. I guess the fence is doing its job. No, I can’t stay away from these fences – must be some kind of addiction. 😉
An Addiction to Fences?
Category Archives: Photography
Moonrise
I like to photograph the moon on the night before the “full” moon because there is still enough light in the sky, and on the foreground if you have a foreground, to illuminate the landscape and provide some detail. Sometimes, like Tuesday night, the rising moon is actually more full than it will be on Wednesday night. Of course the part that gets all the press is the so-called “Supermoon.” (because now we have to name everything) which “officially” happened this morning, but the moon wasn’t visible here at that time.
According to The Photographer’s Ephemeris, the moon was at 99.65% at moonrise last night and will be at 99.49% at moonrise tonight. What does that get you? Add a couple of bucks and it gets you a cup of coffee.
Photographing the moon rising over the ocean can be kind of boring and usually works better with an interesting foreground. We have some nice trees in front of our rental condo here in Hilton Head, SC. So I was able to have my camera on the balcony while we were having dinner, and managed to take a few shots between bites and sips. 😉
Postcard From Marfa, Texas
It was quite an eventful day and it’s late. But here is one tidbit from first thing this morning.
Prada Marfa is a permanent sculptural art installation by artists Elmgreen and Dragset, located 1.4 miles northwest of Valentine, Texas, just off U.S. Highway 90, and about 26 miles northwest of the city of Marfa. The installation, in the form of a freestanding building—specifically a Prada storefront—was inaugurated on October 1, 2005. The artists described the work as a “pop architectural land art project.”
Lens Insecurity?
Years ago I was at a photo seminar, and the presenter – either John Shaw, Tony Sweet or Bob Krist (I think it was Bob but it was a long time ago) mentioned that he thought we were looking at our digital files too closely. He referred to the fact that in the film days, looking at our negatives or slides under a loupe only gave us about a 10-25% zoom factor, and that if it looked sharp under a loupe it was probably sharp enough.
I’ve always heard (and practiced) that sharpness with digital files is best evaluated at 100%. That was especially true back in the days of Unsharp Mask in Photoshop. But now that we have newer, higher-resolution sensors, I’m not sure that needs to be the case any more. Once in a while I look at my photos think that they don’t look as crispy sharp as they should. Is it the lens? Is it my technique? Is my new whiz-bang camera a piece of junk? Is it my eyes? Am I looking too close? But the finished digital files and prints come out consistently good, so it hasn’t been too big of a worry.
A couple of weeks ago I was aimlessly wandering through my Lightroom catalog and looked at some of my recent photos taken with the Fujinon 16-80 f4. Although I’ve been consistently pleased with the lens since I got it, I convinced myself that some of them looked a little soft, especially at the edges and the corners, and I wondered about the lens. So I went back and sorted my photos by camera and lens, looking at photos I’ve taken with some of my older lenses including my primes, and found that they all look really good but all about the same. The primes are more consistently sharp, but that is to be expected. That is a good reminder to use my primes more!
I often reminisce about the Fujinon 18-55 f2.8-4 that I sold to my son along with my old camera bodies, referring to it as “the lens that made me decide to go with Fuji” when I moved away from Canon gear. He graciously agreed to lend it to me for a week or two, so I have been using it to take some walking-around-the neighborhood photos. But you know, as good as it is, it isn’t significantly “better” than the other lenses I own. I do love the more compact size, as it is closer to a prime weight-wise. But it isn’t significantly better image-wise. But then I remembered that old saying and decided to back the zoom off to 50%. Lo and behold, they all look pretty darned good! So I’m wondering – am I looking too close?
In case anyone wonders, I wrote off the 16-55 2.8 years ago as being too heavy and too expensive, regardless of how highly rated it is. It would be defeating the purpose of downsizing from the heavy Canon gear.
Another thought I had was about monitor resolution. I’m using a good but old ASUS Pro Art monitor that I’ve had for about 8 years. It’s nothing fancy, especially compared with the newer 4K and 5K monitors out these days. Is it possible that my monitor is not able to sufficiently resolve the files, or that a newer better monitor would show that detail better? Or would I be just as perplexed as I am now but several hundred dollars (or more) poorer? It’s new territory for me, but if anyone has insight I’d love to hear it.
In the mean time, I’ll keep my zoom at 50% and be glad that the finished output still looks excellent!
These photos, by the way, were all taken with the 18-55 and in-camera JPEGs with the stock Fuji Velvia profile. No adjustments in Lightroom other than output sharpening. For whatever that’s worth!
Getting That First Shot
Whenever we’re traveling, especially by car, I often look for photographic opportunities on the way. Sometimes I’ve pre-identified a place like a train station, other times I’m looking for something serendipitous along the side of the road. If my camera is buried in the bag somewhere in the back of the car I have a hard time stopping. But if the camera is out and ready, I’m a lot more likely to find a place to pull off or turn around in order to get that first shot. I find that once I have stopped and taken a few photographs, it is easy to stop the next time something comes up.
For me, putting the camera bag on the back seat or on the floor behind my seat is a start. That makes it easy to get to when I need it. But the best approach has been to actually get the camera out and hang it over the headrest of the back seat. I’ve driven hundreds and perhaps thousands of miles that way, and it works. We had a 2-door car for a while and that made my method a bit more challenging, but we’ve gone back to 4 doors now and probably won’t change back.
If we’re staying in a town and walking around, I’ll carry my camera with me, lens cap off, ready to shoot. I’m kind of a one lens guy anyway, so I have the camera around my neck or on my shoulder and a spare battery in my pocket. I learned quickly with the EVF cameras to always have a spare! I often chuckle at the people walking around with their brand new CaNikonUjiOny camera bag on their shoulder, securely zippered shut with the camera inside, probably with the lens off the camera. Hardly a way to get a photograph! 😉
Full Moon – Sort of a Bust?
The full moon is technically today 2/27, although it was fuller at moonrise last night than it will be tonight. The night that the moon rises just before sunset is what I have heard referred to as the “photographer’s moon” because it rises almost-full while there is still sufficient light on the landscape to show detail.
Last night’s moon rose through a band of thick haze on the horizon into a cloudless sky, so there wasn’t a lot to be excited about. But it was still pretty, we had a nice place to watch from and it was cocktail time! I may try again tonight but moonrise coincides with dinner time so I may need to make do with one night’s photos.
White balance may be a little wonky on this but I think it is pretty true to the scene as it was presented.
Peer Pressure
I treated myself to an early morning and was rewarded with a pretty nice pre-sunrise sky. I credit Monte and his early morning excursions for the motivation to drag myself out of bed at 5:45. It was worth it! I also was able to get a nice cup of coffee in the lobby on my way back to our room. Double nice!
Frozen Moments
The Cartier-Bresson quote and photo from Monte’s recent post made me remember this photo, from way back in 2009. It is a rare photo for me, one that captures a fleeting glance, possibly a look of concern, that immediately disappeared as she averted her eyes and entered the front door of the restaurant. A microsecond later and I would have had nothing but a girl with an umbrella.
My Latest Project
I mentioned in an earlier post how we had recently had our bathrooms and bedrooms repainted, and that I had been given the “assignment” of providing prints for the walls. I’ve been thinking for a few months about the proper theme and color palette for each room. I’m still cogitating on the bedroom and master bath, – actually waiting for a new chair and draperies to arrive – but I finally settled on a scheme for the hall bathroom.
I’ve always tried to stay away from using other photographer’s work in my bathrooms, not being sure how that would come across. 😉 I’ll admit to previously having a John Shaw print and a Les Saucier print in our master bath, but neither of those two gentlemen are ever likely to set foot in our house, let alone the bathroom.
In general, Kathy & I are going for images that capture our sense of travel, showing a sense of the places we have visited without being “literal.” When we decorated our sunroom with prints from a St. Martin artist, we wanted it to “feel” tropical without sea shells and palm trees. The colors and fabrics express that well. For our bathroom we wanted a splash of color – ideally Caribbean-inspired. I think we got there with these three selections. We’ll then get to hunt for accessories to go with what we have and these prints. Another reason to get back on the road again soon!
For now these are just files – my print lab starts their “sample sales” soon and I’m hoping to save a little $$$ by waiting a few weeks! 🙂
How We Learn
The greatest danger in times of turbulence is not the turbulence – it is to act with yesterday’s logic. – Peter Drucker
The last few days I’ve been working on compiling some of my blog posts from early in the pandemic into book form. As I read over some of the things I wrote in March and April last year, I’m struck by how little we knew at that time and what our (my) attitudes were. I’m not sure we’ve really learned a lot in the last year, but what we know now seems a lot different from what we knew then.
These are a few more of the photos from our visit to Murray’s Mill. I’ve been experimenting with some in-camera JPEG ‘recipes’ and these are photos made with one called “Dramatic Monochrome” from Fuji X Weekly.
