“Who says nothing is impossible? Some people do it every day!” (Attributed to Alfred E. Neuman, but who knows?)
The Weird Sisters Visit Skagway
I was doing my usual morning headline scan the other morning and came across one that read:
“Top 10 things to worry about in 2013”
Huh.
So, it’s not enough to just live my life, plan for the future, eat right and exercise. I have to read lists to tell me what to worry about? Please. And actually, none of the items on that list are things that even affect me. Maybe in some distant way, but will they impact my day-to-day life? No. I realize that it’s not good to completely ignore current events, and I don’t. I’m far from oblivious. But why do the media think we need things to worry about? I suppose it provides better ratings or page views, but that’s just one more thing to get in the way.
It’s bad enough that we can’t trust any information we get these days. But then we get these people who feel the need to tell us what we need to worry about? No thanks! If we want to spend our days running around like Chicken Little I guess that just adds fuel to the fire, but that’s not how I prefer to spend my days. Especially the preciously small portion of my days that I get to spend actually doing something I want to be doing!
Image processed in Lightroom from a single “-2 EV” RAW file
On my previous post, Monte asked about how the HDR version of that image came out, and as it turned out I didn’t do an HDR series on that particular photo so I didn’t have anything to compare. Just for kicks though, I went back and found an image where I did do a bracketed series including an in-camera HDR file.
HDR Image from 3 bracketed frames, blended in Photoshop and finished in Lightroom
Most of my readers know that I really dislike futzing around in Photoshop, so I probably didn’t do the HDR version justice. But while there are things I like about it, I’m really a fan of the contrast you get from a single file. While the HDR version perhaps shows more “detail” I’d rather see the contrast. Of course I’m a fan of rich, dark tones in my photos and HDR kind of defeats the purpose for me.
In-camera HDR from the same 3 frames used for the Photoshop version. Unprocessed, it’s a little dark for my taste.
I’ve made these files a little larger for those who want to pixel peep. But please don’t criticize my Photoshop skills. Because, especially for things like HDR, I’m really out of practice.
Walking around the inside this covered bridge last weekend, I knew that it was the perfect subject for some HDR. I’m not a particular fan of HDR as a rule, but knew that this would be a good place to give it a try. I took a series of bracketed shots using the in-camera HDR feature in my camera. But when I got to playing with it in Lightroom, I decided to see what it looked like without actually blending the frames. As it turns out I think that I actually like it this way. I’ve had to make some pretty extreme exposure adjustments and it’s as noisy as my neighbor’s dog, but I think I’ve got the final result that I envisioned when I took the photo. And ultimately, if I get the result I’m looking for it really doesn’t much matter how I get there, does it?
Here’s a “before” shot just to see where I started:
Kathy & I spent a quiet and relaxing (except for the drive home) extended Thanksgiving weekend in eastern Ohio and western Pennsylvania visiting family and friends. As is my usual habit, I spent minimal time perusing the interwebs or watching television, so I enjoyed a blissful 5 days away from all of the messages telling me what I was supposed to be doing, buying or worrying about. Fortunately I returned to work today, so I was able to get my 5-minute daily dose (aggregated from all my visits to the break room during the day) of television “news,” so I am now up to speed again. Fiscal Cliff, blah-blah, Black Friday, blah-blah, Cyber Monday, blah-blah, Petraeus (or not Petraeus), blah-blah, Egypt, blah-blah, football, blah-blah, William and Kate, etc.
Somehow all of that stuff pales in comparison to cherished and overdue time with loved ones. I hope you all had time to spend with yours.
I’m getting back around to working on some photos from earlier this fall. In no particular order, just whatever my attention span allows me to concentrate on!
Hotel Roanoke and Railroad TracksCorned Beef & Company
I had mentioned in a previous post that Kathy & I had decided to spend our fall weekends differently than we have the past few years. Rather than chasing color up and down the Blue Ridge Parkway (something we enjoy but have grown a little weary of) we spent a weekend in Florida at a jazz festival, a weekend in Roanoke, VA visiting friends, and a weekend in which I took photos at a recreated pioneer village and photographed some kids. That was a different fall for us, indeed.
Steven
Kathy & I have had an attachment to Roanoke since spending a single night there very early in our marriage. I don’t even remember for sure what we did, where we stayed or where we ate, but we’ve always had good memories of our short time there, and have wanted to go back and spend some time. This year we got to go to Roanoke twice. Of course it was made easier because we have good friends there. We go to see Steven and Cheryl, and just like us, they enjoy wandering around town, taking random photographs, shopping and eating. What a deal!
Free!
We’ve found a nice historic hotel right in the downtown area that is walking distance to just about everywhere. We can literally park the car and enjoy the weekend without having to drive. Although this visit we did spend a little time exploring the countryside, visiting a winery and one of Steven & Cheryl’s favorite restaurants, which is now also one of our favorite restaurants!
Bright yellow leaves of Ginko Biloba trees celebrate fall in downtown Roanoke, VirginiaOrange!
One of my objections to the constant driving we have done in previous years is that I get tired of driving. And I get really tired of traffic. Kathy drives sometimes, but my creativity seems to suffer when I view the scenery from a moving vehicle, regardless of who is driving. And the addition of crowds just makes it harder.
Missing shutters
The other thing with fall is that it’s often very hard to find really interesting scenes. Fall color gives the impression of being interesting because everything is a different color, but in actuality it is much harder to make an interesting photograph in the fall because of the color. Much of what we see in the fall is just as boring as it is in the summer, it’s just a different color. My opinion, anyway.
Open and Shut
Fall happens everywhere, not just in the mountains. And it’s not just colored leaves that make up fall. The air is crisp and cool, the light is warm and contrasty, and a lot of interesting things happen in the fall, such as festivals, concerts and farmer’s markets. So my goal was to find and photograph fall in different places. I think it was a successful approach, and in many ways I think am happier with the results than I’ve been from those in previous years.
Boat Reflections on Far Creek, Englehard, North Carolina
Kathy & I are visiting Belhaven, North Carolina this weekend. One of our many favorite weekend destinations, Belhaven is ideally situated near a lot of places that I love to photograph. And this weekend has proven – once again – the advantage of returning time after time to some of the same places.
Boat Reflections near Swan Quarter, North Carolina
The weather has been perfect “Chamber of Commerce” weather. Clear, blue sky with no clouds to be found anywhere. Well, there were a few around late this afternoon, but not enough to make a meaningful difference in the weather forecast. A little tough for photography, but not if you know where to look. And I had a pretty good idea where to look!
Boat Reflections near Swan Quarter, North Carolina
I love shooting the boats around Swan Quarter and Englehard. I never get tired of going there, and these are especially good places in the late afternoon on these clear days when I know there will be golden light if I am patient enough.
Once the sun was low enough that the boats were cast in shadow we headed back down the road to Lake Mattamuskeet to see what like of post-sunset color we might find. We found a little, and it was quite nice.
Cypress Trees at Sunset at Lake Mattamuskeet near Englehard, North Carolina
One of the advantages of an early sunset is a little more time to spend processing photos, so I have broken from my usual routine to process a few photos from this afternoon and get them online the same day. I’ll have a few more once we get home and I get them processed on my regular computer.
Sunset at Lake Mattamuskeet near Englehard, North Carolina
Not a mistake, exactly. But definitely an outtake. But how can you resist that smile?
Great minds think alike, I guess. On the same day that I was thinking about this subject, my friends Monte Stevens and Paul Lester were also posting similar thoughts on their own blogs. In fact my reply to Monte’s post became the basis for this post, and if I hadn’t read Monte’s post first I might have posted the same comment on Paul’s post!
Monte talks about how the most emotional images aren’t necessarily the ones that exhibit technical perfection. Paul related an experience with a co-worker who didn’t appreciate Paul’s photograph that his daughter appeared in because it was “blurry.”
A little off center? OK, but it’s still a great expression!
We sometimes lose track of the fact that “technical perfection” is that technique that adequately expresses our vision. That doesn’t always mean sharp or even “properly” exposed. This past weekend I took pictures of the children of some friends. They are mostly candid shots of the kids playing, swinging, hanging from monkey bars, etc. Some of them are horribly overexposed and many of them are blurry or misfocused. On my first pass through the photos I marked a lot of them as Rejects. But I went back later and decided that some of them had merit, so I processed some of them and think that a few of them – happy accidents they may be – really express the emotions and energy of these 2 1/2 year-olds. And at that point, exposure, focus and sharpness take a back seat to the feeling that the photo portrays.
While we always strive for technical excellence, sometimes the shots that show the emotion we are trying to capture are not the ones that are “perfect,” but they end up being the ones the express our intentions “perfectly.”
And sometimes you nail it!
A great subject for a Friday – inspiration for the weekend!
Sunset from Currituck Heritage Park near Corolla, North Carolina
Here in North Carolina, we typically still have a lot of fall left in November. Especially in the lower elevations, there is often a decent amount of color around until Thanksgiving. Time will tell what the impact of the late-October storm will have on the fall for this year.
This month’s photo returns to the scene of the September calendar – Currituck Heritage Park in Corolla, North Carolina. In fact, this photo was taken about 35 minutes before the photo of the Whalehead Club that I used for the calendar just a few months ago. While it was still very warm when I took this photo, the colors are more fall-like. Winter is on the way though!
We all have something we do to pay the bills. For most of us that’s a job. And besides the obvious reasons, like needing to make the house payment and pay for food, our jobs have things about them that sometimes make them worth getting up in the morning. For me, one of the advantages is when a customer appreciates my work and takes the time to say so.
Window Reflections
Most of my time at work is what I call “widget based.” We have certain goals – The Company calls them production goals although we don’t actually produce anything – and the jobs or tasks we do have a certain number of points assigned to them. Every month our success (or lack thereof) is determined by how many of these widgets we do.
2000
Of course I’ve been doing this kind of work a lot longer than most of the people I work with, and I remember a time when our primary focus was taking care of our customers, no matter what we needed to do or how long it took. The Company says it still cares, and I suppose at the most basic level it still does. But my job, and The Company’s method for determining how well I do it, is based on the number of widgets I do. We don’t measure customer satisfaction, with me or anyone else.
Faucet and Awning
Sometimes though, while I’m sitting at my desk trying to figure out how squeeze out a few more widgets in order to earn enough points to keep my job, I get e-mails like this one from a customer who I made happy:
Hello Tom,
I received the renewal documents for the (loan). We have both signed and I will be mailing them back today in the self-addressed envelope.
Thank you for believing and trusting in our company. I did want to update you on the (balances) of these loans. As of Friday, I paid off the remaining balance on the credit card and I also paid down $70,000 on the line we are now renewing. Just wanted you to know.
Have a great week!
Thanks again,
So in this whole crazy world of business, even though I might not get any points from The Company for happy customers, I can still get points from the customers. And I think that makes for good Karma. And plenty of reason to go back tomorrow!
Final Processed File using Lightroom 3 and Process Version 2010. Canon 5D with Canon 100-400 at 200mm 1/13 sec @ f22 ISO 200
A number of my non-photographer friends have asked me on numerous occasions why their photographs don’t look like my photographs. And of course the sentiment I hear most often is that “I must have a really great camera.” And I tell them, “of course I do, but I could make the photographs I make with just about any camera. It all has to do with how I take the photograph, and knowing what to do with it after I take it.”
Many people incorrectly attribute this answer to mean that I am “Photoshopping” my photos, but when they do, their impression is that that means something sinister or unethical. I try to explain that a lot of what I do is no different than what might have been done with film in a darkroom. I just don’t have to do it with chemicals, I do it with a computer.
This article is written primarily for me to be able to point my friends to something that explains, better than I could possibly do in the lunchroom at work or at dinner in a nice restaurant, what I mean when I say that I “develop” or “process” my photos in Lightroom. And hopefully some of my photographer friends will find this interesting and perhaps even informative.
This photograph was taken in October 2011 on one of those rare times when the fall color was just about at peak, and an early morning snowstorm came through with just about perfect timing. An hour before this photo was taken I was sitting in my car in the parking lot at Clingman’s Dome, being buffeted by gale force winds when a snow plow driver stopped to tell me that I had better get started down because he was planning to lock the gate. I wisely retreated to a lower elevation and found this scene.
The scene in front of me was overall pretty dark and lacking in contrast, because even though the sun was lighting up the clouds the light was pretty diffused and the sun was not shining through all that brightly. I knew from experience that my camera would try to overexpose to bring the values closer to an average exposure. But I also knew that the snow and clouds were on the brighter end of the scale and would cause my camera to want to under underexpose the snow and clouds. I figured (correctly) that the two would just about balance each other out and made no adjustments to what the meter was reading. I confirmed the exposure with the histogram after the shot.
At the time I was pretty certain that I had captured some good photographs of a pretty amazing scene, but I also knew that a great deal of post-processing would be required to obtain a final image that looked like what I “saw” while I was standing at that overlook. When I got home and imported the files into the computer, the first thing I saw was this flat looking gray mess that some people might be tempted to toss. But I had a plan and went to work.
Unprocessed RAW file as imported to Lightroom
The first thing I did was to adjust the white balance to warm the scene up a little. My camera does a very good job with finding the “right” white balance, but I knew I was going to need to add some warmth to get the look I was after. About 500 points was plenty to get what I wanted. Next, I knew I needed to add a lot of contrast, since the snow and clouds made for a very low-contrast scene. I ended up adding a lot of black – about 70 points (this is Process Version 2010 in Lightroom – the new adjustment tools had not been invented yet!). Some adjustments to the mid-tones and highlights and I was starting to get somewhere!
After some basic adjustments to white balance, tone and contrast.
My next step was to add some additional color contrast by using Split-toning to cool the shadows while keeping warmth in the highlights. This is pretty subtle but gives the scene a bit more vibrance.
After extensive use of the Adjustment Brush for localized dodging & burning, contrast and saturation
After a bunch of time spent cloning dust spots – the photo was shot at f22 – I was ready to move on to some fine tuning. I made extensive use of the Adjustment Brush to selectively darken and lighten specific areas of the photo, added some contrast and saturation to areas that needed it, and generally “shaped” the image to direct the viewer’s eye through the scene. A little vignetting to keep the viewer inside the frame, some tweaks to the capture sharpening and noise reduction and it’s done. Or done for now, as I haven’t yet tried to make a print of this photo. Doing that will undoubtedly require another round or two of adjustments once I see what it looks like on paper. I’d also like to experiment with this image using Process Version 2012 in Lightroom 4, but when I click the button to convert it the photo turns to crap again. So we’ll have to save that and printing for a future episode!
After some additional fine tuning and sharpening, and adding a subtle vignette.
