OK, so I’m a little late this month – SORRY! Actually I sort of forgot. But at least ONE person contacted me to tell me that they missed my update. Sorry, Kevin W, that you had to go almost a whole day without the latest calendar! 🙂
Lots happening in the House of Dills this month. Hopefully I’ll be broadcasting from my new “studio” for the December update. We’ll see. I’ve got some posts in the works, though. Words for some, photos for others. I just have to put them together.
For those of you who also have my print calendar, this is one of the few times that I’ve duplicated my print calendar with my desktop calendar. But when I turned the page on my printed calendar this morning, I liked the photo so much I decided to put it on my computer screen, too! I hope you enjoy it.
I’ve written lately about how I feel like I am in a bit of a slump, photographically. Many readers have made comments along the lines of “gee, I’d love to have a slump like that.” But I’ve recently come to realize what I mean by what I’ve written. What I’ve pretty much decided is that doing the kind of photography I like to do requires an investment of time, energy and dedication that, for a number of reasons, I just haven’t been committing to this year. And this applies not just to the shooting, but to the processing and printing parts of the process as well.
As much as I’d like to think I can, I can’t just show up at a place and take meaningful photographs. I can take photographs for sure, and many of them may be good technically. But to create photographs with meaning requires more time. I need to get to a place, get my mind and my heart tuned in to what is happening, and sometimes just sit for a while until I start hearing the voices. “Being open to the gifts” is what my friend Les Saucier likes to say. I can’t just pull the magic out of my camera bag, toss it out there and expect to take meaningful photographs.
Mostly what this requires is an investment of time. Time partly to allow things to happen, but also time to get to a place in plenty of time for whatever is happening. Sunsets are a good example. I can’t just show up at a spot 10 minutes before sunset, pull out the camera and start taking amazing photos. Sometimes the best photos come well before the actual setting of the sun, sometimes as much as an hour before, such as when the sun is moving behind a low-lying layer of clouds and casting sunbeams, or highlighting ridgelines as they recede into the distance. Often by the time the sun sets all the magic is gone. Occasionally, the magic is just beginning at sunset, as the real color begins to appear after the sun has gone below the horizon. But I need time to “tune in,” to see what is happening, and to figure out what to shoot and how to shoot it.
The other way that my photography requires an investment of time is in having plenty of time to enjoy myself. Kathy & I enjoy good meals at nice restaurants, both at home and when we travel. That generally doesn’t involve sitting at an overlook with cold chicken and potato salad. Sometimes it does, but not usually. So in order to do a little bit of both, it’s often necessary to have more than just 24 hours in a place in order to really do it justice and to find that balance between sunset on the Parkway and dinner in Waynesville (or wherever). One of the ways that this year has differed from previous years is that we have been taking more 2-day weekends and fewer 3 or 4-day weekends. This results in less time in a specific place, and I find that this takes time away from everything. I don’t like to feel like the clock is ticking while I am photographing. And the smaller window of opportunity that is dictated by a shorter weekend makes that clock tick like a parade of Harleys going by! With less time, success is more dependent on luck than creativity, and I don’t work so well when I am depending on luck.
So what does this all mean? Well, it means several things. First and foremost, I think it means that I need to do a better job of managing my time so that I have the freedom and flexibility I need to do the kind of photographic work I find most inspiring while also finding time to do the other things I love. Photography and fine dining aren’t necessarily mutually exclusive. Some times of the year they are, so I’ll need to work that out. Sometimes it will mean a nice but late dinner, and sometimes it will mean cold chicken on the Parkway. The other thing it means is possibly traveling less frequently but for longer periods of time. And perhaps staying longer in one place instead of trying to see multiple locations and moving around constantly. I generally shy away from what I refer to as the photographic “death march” and don’t do a lot of good photography while I’m driving down the road. Give me a place to sit and chill for a while and I’m more likely to get inspired.
I’ve done some good work this past year and hope to do some more before it’s done. This year has been a little weird for a lot of reasons, and I’m looking forward to settling back into my usual routine next year. We’ll see where that leads, but I’m hoping it will lead to more fulfilling photography for me, and less of my whining about it to Kathy!
I didn’t shoot a lot of desktop-worthy fall color last year, so I had to go back two years for this one. While it isn’t “fall leaves and acorns” it is nevertheless color in the sky that you just don’t get too often over the summer. Not until the humidity blows off do you get these vibrant colors in the mornings.
Pounding Mill Overlook is on the Blue Ridge Parkway just south of the SR 276 intersection, so whether you are in Brevard or Waynesville it is an easy sunrise destination, especially in the fall when sunrise is at a very civilized time. People don’t believe me when I say that the best color is often 30 minutes or more before sunrise. Why? Because people don’t usually start looking that soon, and because it is still really, really dark. But the color is there, you just have to be ready for it.
Kathy & I have a little bit of fall travel planned, although we will mostly be making day trips. I’ve used up nearly all of my vacation time for this year, and we’re holding onto what few of our vacation dollars are left until we can close on our house.
I got my camera back from the shop last week and had a chance to test it out over the weekend. Kathy & I visited Shelton Vineyards with some of our nature photography buddies. As far as I can tell it looks like the machine is functioning properly. The operator felt a little rusty but I got the hang of it pretty quickly.
I recently sold a couple of prints to a repeat customer, and before I made the prints I went back over the files, as I often do, and made a few tweaks to take advantage of a more recent version of Lightroom than I used when I originally processed the photos a few years ago. As I was going through my library, specifically the folder where one of those prints resides, I went back and looked at some of the other photos in that folder. As often happens, a number of my “picks” for that day hadn’t been processed, and I was playing around to see what some of them might look like processed. I came across this version that I think I like even better than the first. It is a different flower, but the composition and the lighting make it a bit more dramatic than my original favorite. I made a small print of this one, but think I may have to go a little larger and make one to hang on the wall.
My “former favorite” is below. I’ll be interested in thoughts on how the two compare.
I guess it’s human nature that we find comfort in returning to things and places we have been before and know well. Even when we have moved on to so-called “bigger and better things” we never completely get away from our past. Whether that is good or bad is to be determined, and is up to each of us to decide.
While it’s where I started my “serious” photographic endeavors, I find myself doing very little classic “Nature Photography” these days. Not that there is anything wrong with it, as there are few things I enjoy more than standing at an overlook in the pre-dawn cold or the late evening dusk waiting for that Magic Moment. But there’s just so much more to do than that. As much as I love it, in many ways, as a photographer I’ve moved on.
I need to be a little cautious here, because I have a lot of good friends for whom nature photography is exactly what they want to do, and they spend all of their spare time, effort and money doing it. So I’m not trying to make myself out as better than anyone, or suggest that I am more of an artiste than someone else, just because I like taking photographs of peeling paint and shadows. It’s just that after a few hundred sunrises and sunsets, eventually they all sort of started looking the same to me. While I still do my share of sunrises and sunsets, flowers and bugs, there’s only so much time, and I want to see what else there is!
So with all that said, this month’s calendar is one of those cliché photographs from an iconic location. Morton Overlook in Great Smoky Mountains National Park is one of just a handful of places you can shoot sunset standing next to your car. Plus, it often has just the right combination of good light and interesting sky that it often produces interesting results. The downside, however, is that there is really only one view. You seldom need anything but a 24-70 lens, which is what I used for this photo. You can go wide or long within those limits, but for the most part that’s about what you have to work with. The rest is up to the fate of the weather conditions. Makes it a little hard to be contemplative or creative, it’s mostly a matter of luck.
This was taken with my long-obsolete Canon 20D and the now-ancient 24-70 lens. Re-processed in Lightroom 4 to take advantage of some new technology. Still not a bad photograph, I’d say. And I’ll have that lens with me for a while!
I thought I had better post a few words and some pictures just to prove that I am still alive and kicking. Things have been a little hectic lately around The House of Dills.
After about 5 years of preparations, Kathy & I decided in February that this seemed like the right time to put our house on the market. We began working with a Realtor to get things finalized so we would be ready for the spring sales market, which we expected would be a good one. It’s amazing how much there is to do to a house to get it ready to sell – things you haven’t thought about or had just put off because you just hadn’t gotten around to it. Despite having been “getting ready” for the last couple of years, there was still a last-minute rush to get things done.
In true Tom & Kathy fashion, we did the sensible thing and immediately headed out of town for a quick rest-up before we got started. That was the weekend in February when we headed to Charleston, SC. When we returned, we dove head-first into a 6-week period of repairs, staging and primping. I also took photos for the listing, which I’ll probably share in another post. By the end of March, we were ready.
Kathy & I had decided that we didn’t care to be hanging around the house for the first weekend that the house was on the market, figuring that most of our traffic would come that first weekend and we likely wouldn’t spend much time in the house anyway. Another excuse to travel! The listing hit the MLS on a Wednesday, and we immediately started getting calls for showings. We went to work on Friday packed and ready for a weekend in Waynesville, NC, one of our favorite weekend getaway destinations. By the time we were ready to come home on Sunday, our Realtor called to tell us that we had “multiple offers.” Amazing.
So we came home, settled on the offer that looked the best and seemed like it would have the best chance of closing, and signed. Now we’re waiting. In NC the buyers have a period of time – the Due Diligence period – when they can pretty much just change their minds and walk with minimal consequence, and that period expires next week. We have every indication that the buyers really want the house and that we will get through with no issues, but you just can’t be 100% certain. You really can’t start heavy-duty packing just in case the house has to go back on the market. In the mean time we have been organizing and getting ready to pack and move, so we’re ready to go once we get the green light that the deal is going to go through. It’s a frustrating process, but one that I suppose will benefit us when we decide it is time to buy.
Here are a few photos from our weekend to Waynesville. Just so you’ll know I’m still around and doing a little photography. We’re planning to move to an apartment on May 23, and we’ve already got plans to head out of town on May 25 for another getaway weekend, so all is good here!
This month’s photo was my second choice for last month’s wallpaper, and I liked it so much I decided to run it for May. Plus there is an added bonus of getting to tease my friend Kevin W. who made the mistake of telling me that he was homesick for the NC mountains and that my photos made him more so. Come on back, Kevin!
Amazingly, this photo was taken just 4 1/2 minutes after the photo I used for last month’s calendar. Looking west from Waterrock Knob, out over Cherokee and the Oconoluftee River toward the crest of the Smokies, this is one of my favorite views. Not as famous (or as crowded) as some other sunset spots, I like it because I can practically shoot out of my car, and there are facilities nearby!
In the months and years after I took this photo, the view started to get overgrown with trees and brush. Until the Park Service recently cleared some of the overgrowth, it had gotten to the point that there were very few vantage points for a good sunset view. I’ve been back a few times recently, but the conditions haven’t been cooperative. But it’s a place I return to often, and one day I’ll get my next Waterrock Knob sunset. Maybe soon!
I know I’ve been a little quiet lately, but I’ve got some non-photographic backlog to get through and I’ll be back. That’s a promise!
Kathy & I are visiting Belhaven, North Carolina this weekend. One of our many favorite weekend destinations, Belhaven is ideally situated near a lot of places that I love to photograph. And this weekend has proven – once again – the advantage of returning time after time to some of the same places.
The weather has been perfect “Chamber of Commerce” weather. Clear, blue sky with no clouds to be found anywhere. Well, there were a few around late this afternoon, but not enough to make a meaningful difference in the weather forecast. A little tough for photography, but not if you know where to look. And I had a pretty good idea where to look!
I love shooting the boats around Swan Quarter and Englehard. I never get tired of going there, and these are especially good places in the late afternoon on these clear days when I know there will be golden light if I am patient enough.
Once the sun was low enough that the boats were cast in shadow we headed back down the road to Lake Mattamuskeet to see what like of post-sunset color we might find. We found a little, and it was quite nice.
One of the advantages of an early sunset is a little more time to spend processing photos, so I have broken from my usual routine to process a few photos from this afternoon and get them online the same day. I’ll have a few more once we get home and I get them processed on my regular computer.
Here in North Carolina, we typically still have a lot of fall left in November. Especially in the lower elevations, there is often a decent amount of color around until Thanksgiving. Time will tell what the impact of the late-October storm will have on the fall for this year.
This month’s photo returns to the scene of the September calendar – Currituck Heritage Park in Corolla, North Carolina. In fact, this photo was taken about 35 minutes before the photo of the Whalehead Club that I used for the calendar just a few months ago. While it was still very warm when I took this photo, the colors are more fall-like. Winter is on the way though!